Digital Animation in Movies

Gone are the days when we can tend to limit our fantasy from reality. In this milieu, it soars and meddles in our everyday life. Fantasy haunts us wherever we go whatever we do. It is hard to distinguish whether it is realism or something beyond it. Even in the movies, with the inception of digital animation, we became more creative, imaginative and outrageous. We can now visit places that are nowhere to be found, persons not existing in our time and way of living that are far from today’s.

The term digital animation ranges from completely effortless to mind-numbingly complex creation. One way to test the appropriateness of animation for any given presentation is to ponder on the balance between performance and education. Nearly all presentations are meant to both inform and entertain, but the emphasis is usually on one or the other. Generally, the more a presentation is a performance, the more appropriate animation is likely to be.

In The Polar Express, the animation focus on the boy who believed in Santa Claus beside the fact that he is surrounded by non-believers. On Christmas Eve, as he lay quietly on his bed, he recall what his friend has told him that he’d never hear the ringing bells of Santa’s sleigh. “There’s no Santa,” his friend insisted. But the boy knew his friend was wrong. Late that night, he hears sounds from outside – there comes the sound of the hissing steam and squeaking metal. He looked through the window and saw a train standing in front of his house…He put on his robe and tiptoed out. “All aboard,” the conductor said. “Are you coming?” he again blurted. “Where?” the boy asked. "Why, to the North Pole of course," was his answer. "This is the Polar Express." The boy took the outstretched hand of the conductor and pulled him aboard...That was the start of living his dreams because of his immense faith.

The imagery in The Polar Express is as clear and rich a leap forward in digital animation as Disney's Pinocchio was to cel animation in an earlier generation. Pixar, the creators of Toy Story, Bug’s Life, Finding Nemo, and the recent hit The Incredibles put together an incredibly awesome story. They not only uncover a new technology but they also manage to tell a story that hits us in our soft spot.

In Monsters, Inc., we get to see what really is lurking in our closest late at night and find out that they are not as scary as they may seem. These movies prove the most prominent and sophisticated level of digital animation which was achieved through the newest computer technology. The film is the outcome of most sophisticated use of computer animation to date, requiring 2.5 million rendermarks. The character images were created using the fine art printing process of color reproduction known as giclee. Using original digital files from ''Monsters, Inc.'' this process creates a first-generation ''print'' from the digital source -- the same way the digital source is used to output to motion picture film. In addition, a reproduction of the original story sketch that was used to create this monstrously amusing moment is added to the piece, along with the official ''Monsters, Inc.'' logo. Creators and moviemakers nowadays surely know how to use digital animation to their advantage. Digital Technology is certainly constantly reinventing itself evolving into an unstoppable force to pave the way for advancement in the entertainment industry.

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